I am a tuba and piano player (first love = tuba) who was diagnosed with Parkinson’s Disease in 2018.
I resolved to keep my PD confidential for as long as possible so that personnel directors would not be hesitant to hire me for orchestras and other ensembles. Without concrete knowledge of when the PD symptoms would become impossible to hide from others or from myself, it has been challenging to know when it is “safe” to accept gigs with confidence that PD will not deleteriously affect my performance.
2022 may be the year when I am forced to “face the music” and yield my public music-making to the PD. Due to my shaky sound production in rehearsals, I was asked to resign from two regional professional ensembles. I had practiced diligently. But I noticed that even in the privacy of my practice room, it was taking longer for me to master the music that I needed to prepare.
I wondered if my uneasy feeling during the rehearsal could be attributed to Imposter Syndrome, as some of the players were members of the Chicago Symphony Orchestra. But I felt the physical sensations generated by PD, internally and externally. I began having doubts about what would come out of my bell as I played.
I just performed Christmas Eve Mass in the brass quintet with whom I have played for nearly 30 years. Because ofj a tight rehearsal/performance schedule, there was no time to warm up, do some cleansing breathing, etc. before the Mass began. I had played most of the music in previous years. As I began playing, I felt the tremors not only in my hands, but to a certain extent throughout my body. I got stronger as the Mass proceeded, but I had to make some accommodations in the music part (dropping octaves, etc.) to avoid “taking risks.” The performance as a whole was “OK.” But I had lost the JOY of playing, the joy of creating music, feeling the vibrations of my instrument.
The anguish of the loss of confident music making is heavy. I want to keep playing, regardless of whether I am paid to do so because of the pleasure of making music and the neural benefits of keeping the brain musically active.
Do you know of any musicians who have faced similar circumstances? I’d like to reach out confidentially to them to learn how they adjusted to music-making with PD, how they felt about their performances, how they knew when it was time to “hang up the horn,” etc.
Thank you so much for any referrals and anything else that you can advise.